SOLO SHOWS | ||
2015 | One-Way Trail, Blue Star Contemporary Art Museum & San Antonio Botanical Garden, San Antonio, TX | |
2014 | Another Flock of Signs, Omi International Arts Center & Fields Sculpture Park, Ghent, NY | |
A Great Piece of Turf, Mixed Greens, New York, NY | ||
A Flock of Signs (Book Launch + Installation), Printed Matter, New York, NY | ||
DeTerritorialization, (2-person) University Art Gallery, University of South Dakota, Vermillion, SD | ||
2013 | NOTICE: A Flock of Signs, curated by Sarah Urist Green, 100 Acres at the Indianapolis Museum of Art, IN | |
2012 | Built Futures, Pentimenti Gallery, Philadelphia, PA | |
2011 | Space Available, curated by Lauren Ross, The High Line, New York, NY | |
Under Development, Mixed Greens, New York, NY | ||
The Sky Is the Limit, NYC, The High Line, New York, NY | ||
Blue Skies, Federal Street Railroad Project Space, Pittsburgh, PA | ||
All Sales Final (Window Installation), Gridspace, Brooklyn, NY | ||
2010 | The Sky Is the Limit, Pittsburgh, PA | |
Everything Must Go!, Under New Management,Toronto, Ontario | ||
2009 | Everything Must Go! (Window Installation), Mixed Greens Gallery, New York, NY | |
Ownership Society, Julio Fine Arts Gallery, Loyola College, Baltimore, MD (catalog) | ||
Everything Must Go!, Incident Report, Hudson, NY | ||
Out, Moroso, New York, NY | ||
Herbicidal Tendencies, Children's Museum of Pittsburgh, Pittsburgh, PA | ||
2008 | they paved paradise, Pentimenti Gallery, Philadelphia, PA | |
Looked Overlooked, Artists Image Resource, Pittsburgh, PA | ||
2007 | A Field Guide to Weeds, Printed Matter, New York, NY | |
2006 | Emerging Artist of the Year, Pittsburgh Center for the Arts, Pittsburgh, PA (catalog) | |
Plot, Gardiner Art Gallery, Oklahoma State University, OK | ||
2005 | Lot, Raid Projects, Los Angeles, CA | |
Lot, Sonnenschein Gallery, Lake Forest College, Lake Forest, IL | ||
2004 | Ideal City, Plane Space, New York, NY (catalog) | |
Night: Memphis, Memphis Brooks Museum of Art (Video Screening), Memphis, TN | ||
2003 | Climate Controlled, Hallwalls Contemporary Art Center, Buffalo, NY (catalog) | |
2002 | Coordinates,ArtLab, Art Museum University of Memphis, Memphis, TN | |
Drive, Second Floor Contemporary, Memphis, TN | ||
2001 | New Developments, CEPA Gallery, Buffalo, NY (catalog) | |
2000 | Suburban Lights, Urban Institute of Contemporary Art, Grand Rapids, MI | |
1998 | The Angel of History, Sol Koffler Gallery, Providence, RI | |
Wise Wicked Simple Naive, Market House Gallery, Providence, RI | ||
GROUP SHOWS | ||
2016 | Monument to Cold War Victory, The Wende Museum, Los Angeles, CA | |
2015 | Repetition, Rhythm and Pattern, Space Gallery, Pittsburgh, PA | |
Yardscapes, curated by Danielle Krcmar, Highfield Hall and Gardens, Falmouth, MA | ||
No Vacancy, The Mine Factory, Pittsburgh, PA | ||
Posted Notes, Open Engagement, Pittsburgh, PA | ||
2014 | I-70 Sign Show, curated by Anne Thompson, I-70 between Kansas City & St. Louis, MO, | |
Monument to Cold War Victory, curated by Stamatina Gregory & Yevgeniy Feks, The Cooper Union, New York, NY | ||
This is Not a Dream, American Jewish Museum, Pittsburgh, PA | ||
Pittsburgh Biennial, Pittsburgh Center for the Arts, Pittsburgh, PA | ||
Kentucky Derby, Smack Mellon, Brooklyn, NY | ||
Permanent Collection, Minneapolis Institute of Art, MN | ||
Repetition, Rhythm and Pattern, TSA Gallery Bushwick, Brooklyn, NY | ||
Repetition, Rhythm and Pattern, Lewis Art Gallery, Millsaps College, Jackson, MS | ||
Repetition, Rhythm and Pattern, Space for Art, San Diego, CA | ||
Drawing Show, Artists Image Resource, Pittsburgh, PA | ||
2013 | Collective Future, Philbrook Museum, curated by Christina Burke, Lauren Ross & Catherine Whitney, Tulsa, OK | |
Green, Silver Eye Center for Photography, curated by Dylan Vitone, Pittsburgh, PA | ||
Culture Cache, Joseph Gross Gallery, University of Arizona School of Art, Tucson, AZ | ||
Crowdsourced,Space Gallery, curated by Robert Raczka, Pittsburgh, PA | ||
Silhouette, curated by Bill Carroll, Elizabeth Foundation for the Arts, New York, NY | ||
Dallas Art Fair, with Mixed Greens, Dallas, TX | ||
Systems and ECO-nomies, Boston University, 808 Gallery, Boston, MA | ||
The Imperative of Teaching, Bergen Community College, Peramus, NJ | ||
SIX x ATE, 937 Liberty Ave, The Pittsburgh Cultural Trust, Pittsburgh, PA | ||
2012 | Texas Contemporary Art Fair, with Mixed Greens, Houston, TX | |
Space Invaders: Inside & Out, curated by Karin Bravin, Lehman College, New York, NY | ||
Twenty in 2012,Pentimenti Gallery, Philadelphia, PA | ||
Permanent Collection, curated by Edward del Rosario, Nancy Margolis Gallery, New York, NY | ||
Bionic Garden, curated by Jean Barberis & Elizabeth Larison, Flux Factory, Long Island City, NY | ||
Urban/Suburban, Islip Art Museum, curated by Karen Shaw, East Islip, NY | ||
High/Low Density, Rowan University Art Gallery, Glassboro, NJ | ||
2011 | Pittsburgh Biennial: Gertrude's Lot, curated by Eric Shiner, The Andy Warhol Museum, Pittsburgh, PA | |
The City of the Future, organized by Marshall Brown, Chicago Humanities Festival, Chicago, IL | ||
Sculpture Exchange, Erie Art Museum, Erie, PA (catalog) | ||
Sculpture Exchange, Sculpture Center, Cleveland, OH (catalog) | ||
FAX, Carpenter Center for the Visual Arts, Harvard University, Boston, MA | ||
The Bank and Trust Show, curated by Dara Meyers-Kingsley, The Arts Exchange, White Plains, NY | ||
Opening Borders/Opening Objects, University of Western Ontario, CA | ||
Drive By, PROJECT 4, Washington, DC | ||
Impress(ed), Hunt Gallery at Webster University, St. Louis, MO | ||
Neo-Nomads: What Travels with You, BRIC Contemporary Art, Rotunda Gallery, Brooklyn, NY | ||
2010 | Drawing Gifts: 7th Annual Benefit Auction,The Drawing Center, New York, NY | |
PULSE Miami, with Mixed Greens Gallery: New York, Miami, FL | ||
Paper Politics: Exhibition of Socially Engaged Printmaking, Space Gallery, Pittsburgh, PA | ||
Yet Another Roadside Attraction,The Billboard Project, Richmond, VA | ||
Everything Must Go, Under New Management, Toronto, Ontario | ||
The Page: Exhibition of Artists’ Books, LA Forum Gallery, Los Angeles, CA | ||
Nice Place to Visit: Print & the Anxious Landscape, Hobart & William Smith College, Geneva, NY | ||
The Page: Exhibition of Artists’ Books, Guggenheim Gallery at Chapman University, Orange, CA | ||
2009 | Sign of the Times, moniquemeloche, Chicago, IL | |
Learn to Read Art: A History of Printed Matter, P.S.1 Contemporary Art Center, Long Island City, NY | ||
Prix Ars Electronica Exhibition, OK Center for Contemporary Art, Linz, Austria (catalog) | ||
In Our Nature, Maryland Art Place, Baltimore, MD (catalog) | ||
Learn to Read Art: A History of Printed Matter, Badischer Kunstverein, Karlsruhe, Germany | ||
Printed Matter.Learn to Read Art, Museo de Arte Contemporáneo de Castilla y León, León, Spain | ||
Prints about Place, Baker Center for the Arts, Muhlenberg College, Allentown, PA | ||
Reanimation Library: Center City Branch, Vox Populi, Philadelphia, PA | ||
Worlds Away: New Suburban Landscapes, Yale School of Architecture, New Haven, CT | ||
The Kitchen Block Party, The Kitchen, New York, NY | ||
Augére, Pittsburgh Center for the Arts, Pittsburgh, PA | ||
Open Studios, The Space Program, Marie Walsh Sharpe Art Foundation, New York, NY | ||
The Colors of the Week, Pentimenti Gallery, Philadelphia, PA | ||
Data Panic, curated by Franklin Evans & Amanda Church, Cuchifritos, New York, NY, | ||
The Armory Show with Socrates Sculpture Park, Pier 94, New York, NY | ||
2008 | Aqua Art Miami, with Pentimenti Gallery: Philadelphia, Miami, FL | |
Worlds Away: New Suburban Landscapes, Carnegie Museum of Art, Pittsburgh, PA | ||
Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Long Island City, NY | ||
Meet the Made, Mattress Factory, Pittsburgh, PA | ||
8-Hour Project, Allegheny College, Meadville, PA | ||
Worlds Away: New Suburban Landscapes, Walker Art Center, Minneapolis, MN (catalog) | ||
Manufactured Unreality: The Art of Collage, Francis M. Naumann Fine Art, New York, NY | ||
Gangbusters, Plane Space, New York, NY | ||
Shuffle, Memphis Brooks Museum of Art, Memphis, TN | ||
Kentucky Derby, Smack Mellon, Brooklyn, NY | ||
Are We There Yet?, Southern Graphics Conference, Virginia Commonwealth University, VA | ||
2008 Biennial, Pittsburgh Center for the Arts, Pittsburgh, PA | ||
2007 | LA Live: Contemporary Art in Los Angeles, Scripps College, Claremont, CA | |
Cut, Copy, Fold, Artists Image Resource, Pittsburgh, PA | ||
Being Open, Urban Institute for Contemporary Art, Grand Rapids, MI | ||
Arts at the Airport, Nashville International Airport, Nashville, TN | ||
Kentucky Derby, Smack Mellon, Brooklyn, NY | ||
2006 | Aqua Art Miami, with Bank: Los Angeles, Miami, FL | |
Land Tracking Land, Rochester Contemporary, Rochester, NY (catalog) | ||
Guide with Next Question, Kontekst Galeriya, Belgrade, Serbia | ||
Site 92, Smack Mellon, Brooklyn, NY | ||
The Armory Show, Pierogi 2000 Flat Files, New York, NY | ||
2005 | Skyline, Sherman Gallery, Boston University School of Visual Art, Boston, MA | |
...and everythings picking up speed..., Material Art Space, Memphis, TN | ||
In Exchange, Cornell University, Ithaca, NY | ||
Fifteen Paces, Smack Mellon, Brooklyn, NY | ||
2004 | Drawing, Plane Space, New York, NY | |
SElections, Santa Fe Art Institute, Santa Fe, NM | ||
2003 | MAX 2003, curated by Beth Venn, Art Museum University of Memphis, TN (catalog) | |
Photo Album, Bradbury Gallery, Arkansas State University, Jonesboro, AR (catalog) | ||
2002 | Mentor, Annex Gallery, Houston, TX | |
Switchyard, Zeitgeist Gallery, Nashville, TN | ||
2001 | Open Source, Central Academy of Fine Arts, Beijing, China (catalog) | |
Open Studios, International Studio & Curatorial Program, New York, NY | ||
CIT ’01 Digital Media, SUNY Geneseo Gallery, Purchase, NY | ||
Media/Matrix, George Mason University, Fairfax, VA | ||
2000 | Bon á Tirer, George Sherman Gallery, Boston, MA | |
1999 | New England Printmaking, Attleboro Museum, Attleboro, MA | |
MFA Thesis, Rhode Island School of Design Museum, Providence, RI | ||
Works on Paper, Elam School of Art, Auckland, New Zealand | ||
1998 | Works on Paper, Sol Koffler Gallery, Providence, RI | |
1997 | One-Minute-Limit Video Show, Market House, Providence, RI | |
Movimiento Artistico del Rio Salado, Phoenix, AZ | ||
1996 | Recent Acquisitions, Denver Art Museum, Denver, CO | |
AWARDS & RESIDENCIES | ||
2015 | Open Engagement, Frank-Ratchye Fund for Arts @ the Frontier, Studio for Creative Inquiry, Carnegie Mellon, PA | 2014 | Cannonball, Visiting Residency Program, Miami, FL |
Frank-Ratchye Fund for Arts @ the Frontier, Studio for Creative Inquiry, Carnegie Mellon, PA | ||
2013 | Art Omi International Artist Residency, Ghent, NY | |
Visual Artist Fellowship, Yaddo, Saratoga Springs, NY | ||
Creative Development Grant, The Heinz Endowments and The Pittsburgh Foundation | ||
Berkman Development Grant, Carnegie Mellon University, Pittsburgh, PA | ||
CSA: Commissioned Edition Program, Pittsburgh, PA | ||
2012 | Helsinki International Artist Programme & Tokamak, Suomenlinna, Finland | |
Artist-in-Residence, Reanimation Library, Brooklyn, NY | ||
2011 | Sprout Downtown Public Art Finalist with Brett Yasko, Pittsburgh, PA | |
Visual Artist Fellowship, Yaddo, Saratoga Springs, NY | ||
The Studio for Creative Inquiry, Carnegie Mellon, Pittsburgh, PA | ||
Smack Mellon, Hot Picks 2011, Brooklyn, NY | ||
2010 | MacDowell Colony Fellowship, Peterborough, NH | |
Seed Grant from the Sprout Fund, Pittsburgh, PA | ||
The Pittsburgh Foundation Project Support, Pittsburgh, PA | Three Rivers Arts Festival of the Pittsburgh Cultural Trust, Pittsburgh, PA | |
2009 | Prix Ars Electronica, Award of Distinction in Interactive Arts, Linz, Austria | 2008 | The Space Program, The Marie Walsh Sharpe Art Foundation, New York, NY |
Emerging Artist Fellowship Program, Socrates Sculpture Park, Long Island City, NY | ||
Visual Artist Fellowship, Yaddo, Saratoga Springs, NY | ||
Berkman Development Grant, Carnegie Mellon University, Pittsburgh, PA | ||
2007 | Publishing Program for Emerging Artists, Printed Matter, New York, NY | |
Pittsburgh Downtown Partnership Project with Heinz Endowment Grant, Pittsburgh PA | ||
2006 | Heinz Endowment, Creative Heights Production Grant, Pittsburgh, PA | |
Berkman Development Grant, Carnegie Mellon University, Pittsburgh, PA | ||
Emerging Artist of the Year, Pittsburgh Center for the Art, Pittsburgh, PA | ||
2005 | Heinz Endowment Grant, Virginia Center for Creative Arts, Amherst, VA | |
Center for the Arts in Society Project Grant, Carnegie Mellon University, Pittsburgh, PA | ||
2004 | Artist-in-Residence, Plane Space, New York, NY | |
2003 | Cité Internationale des Arts Residency, Paris, France | |
Faculty Enrichment Grant, Memphis College of Art, Memphis, TN | ||
2002 | Pollock-Krasner Foundation Grant, New York, NY | |
Full Fellowship, Vermont Studio Center, Johnson, VT | ||
Professional Artist Support Grant, Tennessee Arts Commission, Nashville, TN | ||
2001 | International Studio & Curatorial Program, NYSCA Grant, New York, NY | |
1999 | RISD Award of Excellence in Printmaking, Providence, RI | |
RISD Graduate Studies Award, Providence, RI | ||
1998 | Leopold Schepp Scholarship, New York, NY | |
1993 | Artist-in-Residence, College of Fine Arts, Sydney, Australia | |
1992 | Thomas J. Watson Fellowship: Travel Award, “Process & Product in Art: Europe, Australia & Japan”, New York, NY | |
VIEWING PROGRAMS | ||
Artist Pension Trust, New York | ||
Pierogi 2000 Flat Files | ||
White Columns Curated Artist Registry | ||
PUBLIC COLLECTIONS | ||
Minneapolis Institute of Art | ||
Philbrook Museum of Art | ||
Carnegie Museum of Art | ||
Agnes Gund Collection | ||
Denver Art Museum | ||
Northern Territory Museum, Australia | ||
City of Memphis | ||
City of Pittsburgh | ||
Memphis Brooks Museum of Art | ||
The Capitol Group, Los Angeles | ||
Charlotte R. Bloomberg Children's Center at Johns Hopkins Hospital | ||
COMMISSIONS | Blue Star Contemporary Art Museum, One-Way Trail, curated by Mary Heathcott, 2015 | |
City of Philadelphia Mural Arts Program, Restored Spaces, Wildish, Philadelphia, PA, curated by Shari Hersh, 2015-2016 | ||
Omi International Arts Center & Fields Sculpture Park, Another Flock of Signs , Ghent, NY, curated by Nicole Hayes, 2014 | ||
Indianapolis Museum of Art for 100 Acres: The Virginia B. Fairbanks Art & Nature Park, NOTICE: A Flock of Signs, curated by Sarah Urist Green with Lisa Freiman, 2013 | ||
Alexander Hotel, curated by Veronica Roberts & Lisa Freiman, the Indianapolis Museum of Art, 2012 | ||
The Friends of the High Line: Space Available, NYC & The Sky Is the Limit, curated by Lauren Ross, 2011 | ||
Routledge Press, Public Art Dialogue. Artist Project: "Landscape with Ruins," Vol 1 #2, Fall 2011 | ||
HarperCollins, National Poetry Series Award, Ideal Cities. Cover & interior images / Poetry by Erika Meitner, 2010 | ||
Moroso, Outdoor: ICFF, Installation and Catalog, 2009-2010 | ||
Office of Public Art & City of Pittsburgh, Zone 3 Police Station, 2009 | ||
Aufgabe: Journal of Poetry. Cover & interior images / Issue #8, Litmus Press, 2009 | ||
Pittsburgh Center for the Arts, Space Available, 2008 | ||
Moroso, Salone Internazionale del Mobil, Milan, Italy, 2008 | ||
Printed Matter, A Field Guide to Weeds, 2007 | ||
BIBLIOGRAPHY | ||
Elena Goukassian, "Commissions in Brief" Sculpture Magazine, December, 2013. | ||
Kurt Shaw, "Siver Eye Center exhibit..." Pittsburgh Tribune Review, September 18, 2013. | ||
Bill O'Driscoll, "Crowdsourced asked artists to collaborate with the public…," Pittsburgh City Paper, August 21, 2013. | ||
Randy Kennedy, "'Buy Local' Gets Creative," New York Times, August 4, 2013. | Scott Turi, "Crowdsourcing Creativity," Art Hopper.org (blog), August 2, 2013. | Kurt Shaw, "Input, Output,," Pittsburgh Tribune Review, August 1, 2013. | Larkin Paige-Jacobs, Interview for CSA PGH, NPR WESA 90.5 FM Pittsburgh, April 18, 2013. |
Eve M. Kahn, "Art Imitates Indianapolis," New York Times, January 16, 2013. | ||
Matt Bua & Max Goldfarb, Architectural Inventions: Visionary Drawings of Buildings. London: Laurence King Publishers: 2012. | ||
Annik La Farge, On the High Line: Exploring America's Most Original Urban Park. London: Thames & Hudson, 2012. | ||
Adam Wisnieski, "Artist Invasion of Lehman College," Riverdale Press, October 11, 2012. | ||
Edith Newhall, "Galleries: Exegesis of Exurban Landscape…." Philadelphia Inquirer. February 19, 2012. | ||
Alyssa Greenberg, "Exurban sprawl and the built environment." theartblog.org. February 15, 2012. | ||
Zack Friedman, "Art/Reanimation Library." BOMBlog. January 23, 2012. | ||
Cameron Cartiere, "Innovations in Art Parks." Public Art Review. Fall/Winter 2011. | "Artist Reviews: Kim Beck / In Her Own Words." New York Arts Magazine. November, 2011. | |
"The Lookout: Shows You Won't Want to Miss." Art in America Online. November 3, 2011. | ||
Cindy Yewon Chun, "High Art: Kim Beck's The Sky Is the Limit." The Architect's Newspaper. October 11, 2011. | ||
Erin Einhorn, Edgar Sandoval, Barry Paddock. "City Council Member Criticizes." The Daily News. October 11, 2011. | ||
Garth Johnston, "Add Skywriting To The List." The Gothamist. October 11, 2011. | ||
Jen Doll, "Skywriting Freaking People Out Just Art." The Village Voice. October 10, 2011. | ||
Garth Johnston, "Artist Confuses New York With Cloudy Messages." The Gothamist. October 10, 2011. | ||
Dan Amira, "Jittery New Yorkers Fear Skywriting Terrorists." New York Magazine. October 10, 2011. | ||
Thornton McEnery, "New Yorkers Now Officially Afraid of Art." The New York Observer. October 10, 2011. | ||
Lucas Kavner, "Skywriting in New York Causes Confusion." The Huffington Post. October 10, 2011. | ||
Barry Paddock, "Last Chance Skywritten Messages." The Daily News. October 9, 2011. | ||
Elizabeth Harris, "Art Is Fleeting, at Least When It's in the Sky." New York Times. October 9, 2011. | ||
Elizabeth Lynch, "Commissions: Kim Beck." Sculpture Magazine. Fall 2011. | ||
Ken Johnson, "Sculptural Surprises Grace the Streets." New York Times. August 18, 2011. | ||
Chris Schmicker, "Seven Artists to Know Right Now." City Unlisted. July 19, 2011. | ||
Susan Hodara, "In a Former Bank, Money Still Talks." New York Times. April 24, 2011. | ||
Amy Plitt, "Public Art on the High Line" TimeOut New York. April 20, 2011. | ||
Tabitha Piseno, "Friends of the High Line" Bomblog. April 19, 2011. | ||
"High Line Art: Kim Beck, Space Available," Video, Artforum, March, 2011. | ||
Video Interview with Heinrich Schmidt. Vernissage TV. March 25, 2011. | ||
Olivia Scheck, "High Line Art Exhibit Looks Like Empty Billboards." DNAinfo.com. March 7, 2011. | ||
Leigh Ann Miller, "Kim Beck Riffs on Meatpacking Ads With Empty Signs." Art In America Online. March 1, 2011. | ||
Alexander Ferrando, "The High Line: Interview with Lauren Ross." Flash Art International. March – April, 2011. | ||
Branden Klayko, "Space Available on the High Line." The Architect’s Newspaper. February 28, 2011. | ||
Rochana Rapkins, "Neo-Nomads." New York Times. February 24, 2011. | ||
Radio Interview with Larkin Paige-Jacobs. "Artists On Air," NPR WDUQ 90.5 FM Pittsburgh, January 31, 2011. | ||
Radio Interview with Kevin Gavin. NPR WDUQ 90.5 FM Pittsburgh, October 1, 2010. | ||
Erika Beras, "Sky Art Floats Above Pittsburgh," WDUQnews 90.5 FM Pittsburgh, October 1, 2010. | ||
Bill O'Driscoll, "Local Artist's Skywriting Venture,." Pittsburgh City Paper. September 30, 2010. | ||
David Topping, "Extra, Extra: New Management." Torontoist. July 26, 2010. | ||
"Top 5 Shortlist." Canadian Art. July 25, 2010. | ||
Murray Whyte, "Queen West has a Surprise in Store." The Toronto Star. July 24, 2010. | ||
Judith Dobrzynski, "The High Line As Art Venue." Arts Journal. March 7, 2010. | ||
Judith Dobrzynski, "Taking the High Line: the art park that rivals MOMA." The Art Newspaper. March 5, 2010. | ||
Joe Jeffers, "Recommended / Review: Sign of the Times/Monique Meloche Gallery." New City Art. Nov 23, 2009. | ||
Lauren Weinberg, "Sign of the Times." Time Out Chicago, Issue 248. Nov 26, 2009. | ||
Alex Ebstein, "Learning the Trade: Maryland Art Place." Baltimore City Paper. Nov 21, 2009 | ||
Gretchen Holmes, "Featured / Sign of the Times at Monique Meloche." Chicago Art Magazine. Nov 18, 2009. | ||
New American Paintings. #81, Boston: Open Studios Press, April/May, 2009. | ||
“Five Things in New York” MoLoco, May 21, 2009. | ||
Anne R. Fabbri, "In the Multi-Dimensional City" Broad Street Review. Nov 22, 2008. | ||
Victoria Donohoe, "Art and Environment" The Philadelphia Inquirer. Nov 21, 2008. | ||
Libby Rosoff, "The People’s Landscape" Artblog. Nov 11, 2008. | ||
R.B. Strauss, "First Fridays" Philadelphia Weekly Press. Nov 5, 2008. | ||
Alison Levy, "EAF08 at Socrates" Artslant New York. Sept 21, 2008. | ||
Kurt Shaw, "Mattress Factory's 'Gestures'" Pittsburgh Tribune-Review. Aug 7, 2008. | ||
Valery Oisteanu, "Prefabricated Art, Undesirable Surreality" The Brooklyn Rail. June 2008. | ||
Sherrie Flick, "The Re-Examined Life" Pittsburgh City Paper. May 21, 2008. | ||
Leigh Ann Miller, "Reviews: Pittsburgh / Kim Beck / Center for the Arts" Art in America. Feb 2007. | ||
Peggy Edersheim Kalb, "Sharing the Wealth" Art + Auction. Fall 2007. | ||
Mary Thomas, "Best of 2006" Pittsburgh Post-Gazette. Dec 28, 2006. | ||
Mary Thomas, "Art Review: Beck uses the Mundane..." Pittsburgh Post-Gazette. Oct 11, 2006. | ||
Kurt Shaw,. "Let there be light" Pittsburgh Tribune-Review. Sept 10, 2006. | ||
"Shortlist: Fifteen Paces" Village Voice. May 4-10, 2005. | ||
“Arts & Leisure.” The New York Times. Sunday, Sept 26, 2004. | ||
N.F. Karlins, “Drawing Notebook.” ArtNet Magazine. July 2004. | ||
Bill Anthes, “Memphis.” Contemporary Magazine. Fall 2004. | ||
Fredric Koeppel, “Arts Profile” Commercial Appeal. June 26, 2004. | ||
Fredric Koeppel, “Not Exactly” Commercial Appeal. Memphis, TN, Sept 21 2003. | ||
Kate DeForest, “Ordinary Objects” Buffalo News. July 11, 2003. | ||
Jon Sparks, Commercial Appeal. July 20, 2003. | ||
John Massier, Climate Controlled. Buffalo: Hallwalls Contemporary Art Center, 2003. | ||
Cynnie Gaasch, “Reworking Concepts of Beauty” ArtVoice, Buffalo, NY July 2003. | ||
Daryl Snodgrass, “Interview on New Video Works” WKNO/NPR Memphis, TN Feb 4 2003. | ||
David Hall, “Reviews: Memphis Drive” Art Papers, Fall 2002. | ||
“Memphis Top Ten” Number 44. Fall 2002. | ||
Hamlett Dobbins, “A Conversation” Number 43. Summer 2002. | ||
CATALOG / BOOK ESSAYS | ||
On the High Line: Exploring America's Most Original Urban Park by Annik La Farge. Thames & Hudson: London, 2012 | ||
High Line: The Inside Story of New York City's Park in the Sky by Joshua David & Robert Hammond. Farrar, Straus and Giroux: New York, 2011 | ||
Prix Ars Electronica, CyberArts by Hannes Leopoldseder, Christine Schopf, Gerfried Stocker. Hatje Cantz: Austria, 2009 | ||
The Network for Art Technology and Society: The First 30 Years by Leopoldseder, Schopf, Stocker. Hatje Cantz: Austria, 2009 | ||
Julio Fine Arts Gallery, Loyola College. Kim Beck and the New Disownership Society, by Heather Pesanti, Baltimore, 2009 | ||
Manufractured: The Conspicuous Transformation of Everyday Objects by Steven Skov Holt & Mara Holt Skov. Chronicle Books, 2008 | ||
Walker Art Center. Worlds Away: New Suburban Landscapes by Andrew Blauvelt, Minneapolis, MN, 2008 | ||
Pittsburgh Center for the Arts. Finding "Other Spaces" by Heather Pesanti, Pittsburgh, PA, 2006 | ||
Plane Space. Ideal City by Chad MacDermid and Bryson Brodie, New York, NY, 2004 | ||
Art Museum at University of Memphis. MAX by Beth Venn, Memphis, TN, 2003 | ||
Hallwalls Contemporary Art Center. Climate Controlled by John Massier, Buffalo, NY, 2003 | ||
Bradbury Gallery, Arkansas State University. Photo Album by Les Christensen, Jonesboro, AR, 2003 | ||
Central Academy of Fine Arts, Open Source by Gerar Edizel, Beijing, China, 2001 | ||
CEPA Gallery, New Developments by Anne Ellegood, Buffalo, NY, 2001 | ||
PUBLICATIONS AS AUTHOR | ||
“Open Engagement: Place and Revolution," Temporary Art Review (blog), May 6, 2015 | ||
“Voyage of the Chelyuskin Club: A Conversation with Emily Newman,” Temporary Art Review (blog), June 13, 2013 | “Molleindustria: An Interview with Paolo Pedercini,” Temporary Art Review (blog), June 11, 2013 | |
“Jeremy Boyle & Mark Franchino at Pittsburgh Center for the Arts,” Temporary Art Review (blog), February 4, 2013 | ||
“SIX X ATE: Interview with Casey Droege,” Temporary Art Review (blog), January 23, 2013 | ||
“Situating Sculpture in the Urban Landscape,” with Lauren Ross, Public Art Dialogue. Volume 1, Issue 2. London: Routledge Press, Fall 2011 | ||
“Cut, Copy, Fold,” catalog essay for exhibition at Artists Image Resource, Pittsburgh, PA, Fall 2007 | ||
“Not Exactly,” catalog essay for exhibition at Delta Axis @ Marshall Arts, Memphis, TN, Fall 2003 | ||
CURATORIAL PROJECTS | ||
2015 | Paper Route 66, with Amanda Donnan, BravinLee Programs, New York, NY | |
2012 | Jessica Langely & Tree, House Show, Pittsburgh, PA | |
2007 | Cut, Copy, Fold, Artists Image Resource, Pittsburgh, PA, catalog | |
Phantasm Redux, Pittsburgh Downtown Partnership, Pittsburgh, PA | ||
2003 | Not Exactly, Delta Axis @ Marshall Arts, Memphis, TN, catalog | |
Contemporary Video, Memphis Brooks Museum of Art, Memphis, TN | ||
LECTURES / VISITING ARTIST | ||
2014 | Philbrook Museum of Art, Tulsa, OK | |
2013 | Interdisciplinary Studies course presentation, San Francisco Art Institute, CA | |
INconversation with Lisa Freiman, Indianapolis Humanities Council, IN | ||
Carnegie International Satellite Space, Apartment Talks (with CSA), Pittsburgh, PA | ||
2012 | "Image & Text," class presentation, Pratt Institute, Brooklyn, NY | |
International Center for Photography, New York, NY | ||
Tokamak, HIAP, Helsinki, Finland | ||
John M. Anderson Lecture Series, Penn State School of Visual Arts, State College, PA | ||
2011 | TEDxEAST, New York, NY | |
MFASO, Hunter College, New York, NY | ||
Electronic and Time-Based Art Lecture Series, Purdue University, West Lafayette, IN | ||
Fine Arts Student Alliance, Concordia University Fine Arts in Montréal, Quebec | ||
Print media class presentation, University of North Carolina, Greensboro, NC | ||
2010 | Carnegie Mellon School of Art Lecture Series, Pittsburgh, PA | |
2009 | Marie Walsh Sharpe Studio Tour, School of Visual Arts, NYC | |
Ars Electronica, Prix Forum II: Interactive Art, Linz, Austria | ||
Artists Opportunity Workshop, Dumbo Arts Center, Brooklyn, NY | ||
New York Public Library, Mid-Manhattan, NY | ||
Foundations course presentation & critiques, Syracuse University, Syracuse, NY | ||
2008 | University of California, Santa Barbara, CA | |
2007 | MFA class presentation & critiques, University of Michigan, Ann Arbor, MI | |
2006 | Artists Tour, Frick Art & Historical Center, Pittsburgh, PA | |
Outside Project, Faculty of Fine Arts, Belgrade, Serbia | ||
Open Session: Painting, College Art Association, Boston, MA | ||
Oklahoma State University, Stillwater, OK | ||
2005 | Scripps College, Los Angeles, CA | |
School of Art, Boston University, Boston, MA | ||
Art & Techology Symposium, FedEx Institute, University of Memphis, Memphis, TN | ||
Simmons College, Boston, MA | ||
Lake Forest College, Chicago, IL | ||
2004 | Cité International des Arts Tour, Parsons School of Design, Paris | |
Memphis College of Art, Memphis, TN | ||
Appointments | ||
2007-present | Associate Professor, School of Art, Carnegie Mellon University, Pittsburgh, PA | |
2004-07 | Assistant Professor, School of Art, Carnegie Mellon University, Pittsburgh, PA | |
2002-04 | Assistant Professor & Coordinator of Graduate Studies, Memphis College of Art, TN | |
2000-01 | Visiting Assistant Professor of Print Media, Alfred University, Alfred, NY | |
EDUCATION | ||
1999 | Rhode Island School of Design, MFA, Painting / Printmaking | |
1992 | Brandeis University, BA, Visual Arts-Studio and Theatre Arts | |
1991 | Yale University Summer School of Art at Norfolk | |
www.idealcities.com © kim beck 2013 | ||